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“Either Die Quickly or Live Life Splendidly”

My title today is a quote from a young man who played the piano for China’s Got Talent – with his feet because he has no arms.  He lost both arms in an accident when he was a child, and yet his spirit is undaunted.  As a pianist, I cannot imagine playing the piano with my feet, yet this young man determined at age 19 to learn to play the piano.  And he plays beautifully, with expression that brought the audience to tears.

I’ve often thought about a friend’s dachshund who went blind.  Although they were considerate of the dog by not moving any furniture around, I was still astounded by how the little dog got on with her life and did most of what she had always done.  She wasn’t burdened down by the same emotional garbage that we humans are when something radically goes wrong in our lives.  So often we throw a big pity party for ourselves and some people never choose to leave the party.

This young man had a wonderful mother who assured him that he was no different from anyone else and insisted that he learn ways to cope with the way things now were.  He learned that there were two paths for him: Either die quickly or live life splendidly.  What a wonderful role model for all of us.  Hopefully, this video will touch your heart and change your life just a little as it did mine.

Wishing you a song in your heart,

Leslie

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Choosing a Guitar for Your Young Child, Part 1

I will start with two basic questions that I get asked all the time.

At what age should I start my child on guitar? This is a question that is not easy to answer, because so much of it depends on a child’s readiness.  Quite frankly, guitar is not an easy instrument to play.  It takes a lot of dedication to get your left hand to find the proper frets and strings, while your right hand is doing something completely different.  A lot of children see guitarists on TV and all little their eyes see is the ‘strumming’ hand, and it looks so fun and easy.  What they don’t know is that many of those guitarists practice until their fingers literally bleed.  Most little kids I know aren’t willing to do that.

I have not had much luck starting children under five years old.  They have a very short attention span, and they don’t have the coordination and physical strength needed to play the guitar.  Of course, I know that there are some prodigies out there, but none have walked through my studio door.  I have been successful, however, with teaching guitar to five- and six-year-olds. I would recommend starting them at that age if they continually bug you over a period of time  and you can actually find a teacher who is willing take them (most won’t).  Otherwise, I would wait until age eight.

One of the biggest drawbacks is that there are is a paucity of method books on the market for children.  I am in the process of writing a program to fill that gap, so keep watching for new products.

Is an electric guitar different from a regular guitar? If if has six strings, a guitar is a guitar is a guitar.  The only aberration is what they call a ‘lefty’ guitar for left-handed people.  Call me a rebel, but I really don’t see the point of left-hand guitars.  There are no other left-hand instruments that I know of.  Band instruments (except brass), the violin family, recorders, percussion instruments, harps, and keyboards are all played with two hands.  You never see left-handed violinists in an orchestra — all the bows go in the same direction.  You just have to work a little harder to train your non-dominant hand.  I start all my left-handed students on standard guitars, and no one has had a problem.  It also makes it easier for the students when they are looking at a book instead of having to turn everything around in their minds.  That’s my theory and I’m sticking to it!

Next time I will talk about the different kinds of guitars out there.

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Choosing a Keyboard Instrument for Your Young Child, Part 6

If you buy your piano from a reputable music store, you can be pretty sure that it will be in good working condition.  If you are purchasing a piano from a private owner, there are things that you need to look for.

I know that there are a lot of women want a piano that is going to look good in their living room—match up with the prevailing wood and colors.  I have met them.  If you are looking for a used piano, I beg of you:  Don’t make the look or cabinet condition of the piano your primary focus.  The most important factors should be the play-ability and the sound.

The first thing you need to do is check the sound board.  That’s the wood in back of the strings that amplifies the sound of the strings as they are struck by the hammers.  It’s not one piece of wood—it’s several pieces glued together.  If you see cracks or that it’s coming apart at the seams, say ‘thank you for your time’ and move on. You can get all sorts of annoying buzzes and strange sounds from a broken sound board.  If you are looking at a grand piano, you will have to lay on your back under the piano and look up at the sound board.  You need to pull uprights away from the wall and look at the sound board in the back.

Next, play all the keys to see if they work.  Start at one end and play every black and white key.  If they are sticking, it might just be that the piano hasn’t been played in a while or that a bridle tape (which pulls the hammer back into place on uprights) is broken.  If you don’t get any sound, it can be a broken key or hammer that will have to be repaired.  Also, if any strings keep playing after you have lifted your finger off the key, your dampers (triangular pieces of felt which fall against the strings after the key is released) will need to be adjusted or replaced.

Also, listen to the tune of the piano and ask the owner about the tuning history.  A piano that hasn’t been tuned in years may cause you problems.  It may not hold a tune or may have dropped so low in pitch that there is danger of string breakage if it’s brought up to standard pitch.  A piano that is lower than A440 but holds a tune with itself may not be a problem if no one in your house has perfect pitch or if you don’t plan to play along with band instruments.  If the piano has been recently tuned and is out of tune, there might be loose tuning pins, which is a big, expensive problem to fix.  Young beginners need a piano that stays in tune.  It is crucial to the development of the musical ear.

Lift the lid of a grand or remove the front of an upright to inspect the keys and dampers.  If any are missing or look very worn out, you will need to have them replaced.  Pianos that have deep string cuts in the hammers will have a harder, brighter sound than a piano with softer hammers.

The harp is the massive metal frame to which the strings attach.  At one end, the strings wrap around tuning pins.  At the other end, there is a wooden bridge with metal pins.  The strings have loops at one end that attach them to the bridge.  Examine that piece of wood for cracks.  It is very costly to replace a bridge.  You can have a cracked bridge and a functional piano, but you’re better off to look for a different piano because it is a problem that will only get worse.  To see the bridge on an upright piano, you will have to remove the kick plate above the pedals on the piano.

At the same time you are examining the bridge, check the pedals.  Some pianos have two, some have three.  The left pedal is the una corda, or soft, pedal.  On a grand, it will shift the action to the right so that the hammers strike fewer strings.  On an upright, it will move the hammers towards the strings to shorten the striking distance.  The right pedal is the damper pedal, which lifts the dampers off the strings so they will continue to ring.  Look at them to see if anything appears to be broken.  Try both pedals to see if they are working properly. If there is a center pedal, it may be or a sostenuto pedal or it may be a decoration that doesn’t do much of anything (this is the case on a lot of older uprights).  The sostenuto pedal, also called the half-damper pedal, allows the bass strings to continue to ring while the treble notes are damped.  A sostenuto pedal is nice, but I wouldn’t consider the lack of one a deal breaker.  Most people seldom use them.

Ask the owner to tell you the history of the piano.  The best scenario is they purchased it new or in good used condition and it’s been in their climate-controlled living room ever since.  The worst case is that it’s been on the front porch for the last 10 years and the city has passed an ordinance forcing them to remove it.  There are lots of scenarios in between.  Go to music stores on the internet and price their used pianos to get an idea of what a good price is—and a private owner will usually ask less than a store.  Print this article out and take it with you when you’re looking.  You may even want to hire a piano technician to check it out for you.  The main thing is that you don’t want to get stuck with a lemon that will sour your child on learning to play the piano because it sounds terrible or the keys won’t work.

Wishing you a song in your heart,

Leslie Denning

www.youcanmakemusic.com

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Choosing a Keyboard Instrument for Your Young Child, Part 5

Continuing on with the thread on acoustic pianos, I will now discuss the different types of pianos that are available.

The very best choice is a grand piano.  Grand pianos range in size from under 5’ to 12’ concert grands.  Grand pianos are great, but they cost a lot of money and take up a lot of space.  You can get a decent-sized used baby grand piano for $5-8,000, but you won’t be able to touch a new one of any quality for less than $12,000.  In my opinion, the best grand pianos are made by Yamaha and Kawai of Japan.  Yong Chang of Korea has made significant strides in the quality of their pianos over the last 10 years or so.  Baldwin used to be a piano of choice for educational institutions, but the newer ones that my husband and I worked on were terrible.  It seemed that they didn’t let the wood cure long enough because the keys would warp and stick, and the sound just wasn’t good.  If you can find a good used pre-1990 Baldwin, that would be a good choice.  There are other good brands, such as Steinway and Bosendorfer, but they tend to go out of the average person’s price range.  Steinway does have a budget brand, Boston.  I don’t have any experience with these pianos, but they do seem to have a good reputation.  Go to a music store and try out some models–just don’t be overwhelmed by the salesmen.  They can put on the pressure.

What I don’t recommend:

  • Never buy a grand that is smaller than 5’2”.  Tiny grand pianos tend to sound very rinky-tinky.
  • Be careful if you are buying a new grand from Ebay.  The price may look good, but you probably will not get a quality instrument.

There are reputable dealers on the internet (that’s how I purchased my used Yamaha grand), but it’s better if you can sit down and play the piano to see how it sounds and feels.

The second best choice is a studio upright.  They are not as tall as the old upright pianos, but they do have nice, long strings that will give you a lot of sound.  My upright is a Charles Walter, which is made in the U.S.  It’s a great piano that is designed so that the keys (or ‘action’ as it is called) feel like a grand piano.  It was a little on the expensive side, though.  Again, Kawai, Yamaha, or Yong Chang are good choices.  It’s not impossible to find a good used studio upright for under $1,000.  Kids grow up and move away and Mom wants the piano out of the living room.

Also, there are still lots of early-to-mid 1900’s upright and upright grand pianos in pretty good condition still floating around.  Be sure to look at the strings.  If the bass strings are of copper and are not rusty, good.  If they are of steel, you’d be better off to look for something else.  The steel strings were used during WWI because copper went to the war effort.  They get a ‘thuddy’ sound as they get older, which was why I ended up selling the Cable.  I love a resonant, bassy sound.  However, do understand that if you purchase one of these pianos and you need repairs, your technician may not be able to find replacement parts.

Next on the list is a console piano.  They are about half as tall as a studio upright.  They don’t have a big sound, but they are adequate for a small living room.  Again, they are frequently available as used instruments for a reasonable price.

The smallest and least desirable of the piano models is the spinet.  The back of a spinet only extends about six inches above the keyboard.  The strings are very short, the action has a tendency to stick, and they don’t have a very good sound.  However, they are less expensive, they don’t take up a lot of room, and they are a step up from an electronic keyboard.  One spinet model that I do recommend is the Baldwin Acrosonic.  A school where I taught had one, and I subsequently purchased one for my studio when I first opened.  They were manufactured in the 1970’s and are dynamite little pianos.  It would be a good choice if you can find a good used one.

In the final lesson of this series, I’ll tell you what to look for when you are in the market for a used piano.

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Choosing a Keyboard Instrument for Your Young Child, Part 4

In this article, I will begin discussing the purchase of an acoustic piano.  Let me start by telling you the story of my first acoustic piano.

My mother had taken piano lessons as a child, and the second-hand, World War I circa, Cable upright piano that she had played was still in my grandparent’s living room.  I used to love to ‘tink’ around on it, and by third grade I began to seriously agitate for piano lessons.  My grandparents were not averse to giving up the piano, since neither one of them played.  However, before my mother went to the trouble of having the piano moved to our house, she extracted a solemn promise from me that I would take lessons for five years, which was the number of years she had taken lessons.

Being eight years old, I had no concept of what five years was, so I eagerly vowed that I would.  Although there were probably many occasions that I whined about practice or wanted to quit lessons, I was held to my promise by my mother, for which I will be eternally grateful.  Not only did I learn to play piano, I learned valuable lessons about stick-to-itive-ness that have served me well in many areas.

The first thing NOT to do is to drag home a free piano (unless, of course, you know something about its history).  Most ‘free’ pianos end up costing a lot of money in the long run because they won’t hold a tune, may have broken keys or rotten dampers, rusty strings that break, etc.  My husband and I used to own and operate a piano tuning and repair business, and I can’t begin to tell you how many times we were called to the homes of people who had dragged home a derelict wreck and expected us to make it sound magical.  This is not to say that old, turn-of-the-20th-century pianos are out of the question.  My mother’s Cable is still going strong, although it is doing so at the home a friend who purchased it from me.  However, it has been carefully cared for and has not sat in someone’s damp basement or cold garage.  But realize  that acquiring a piano is a big deal that should require a little bit of thought before rushing out to get ‘something.’

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Choosing a Keyboard Instrument for Your Young Child, Part 3

If you would like to step up from an electronic keyboard but don’t want to invest in an acoustic piano, you might investigating the purchase of a digital piano, one of the coolest inventions of the 20th century. There are many models to choose from, ranging from a basic piano with a few sounds to an electronic player grand.  The most popular brands are made by Casio, Yamaha, and Roland.  The big advantages of digital pianos are:

  • They have weighted piano keys that closely imitate the feel of an acoustic piano.
  • They don’t take up a lot of space, and though they are not feather light, two people can usually move them around.
  • They don’t have to be tuned.
  • If you live in an apartment, your child can practice with headphones.
  • They have many features that you don’t get with an acoustic piano, such as a variety of  sounds and rhythms, built-in lessons, and recording capabilities.

The disadvantages are that you can’t play when the power goes off and they don’t have the rich sound of a good acoustic piano.

My brand choice, hands down, is Roland.  I have owned two Yamaha Clavinovas, which were very good pianos.  However, when I looked for an upgrade, I sat down at a Roland and was immediately hooked.  The sound was fabulous, and although it was easy to use, the possibilities are endless.  I now own three Roland digital pianos—one at my home, one at my studio, and one that I used to haul around with me when I played professionally.

I use the Roland at the studio to play duets with my students, as a metronome, and to play the MIDI disks that correlate with the method books that I use.  That particular Roland has taken a lickin’ and keeps on tickin’.  It’s never need service in the over 12 years that I have had it, although it does have a click in a bass key that will need attention one of these days.

If you think you would like a digital piano, I would recommend that you visit a piano store to try some out.  You would be well-advised to comparison shop as to price, because you may find widely varying prices of the same model at different stores.  A reputable music store will help you with delivery and setup of your piano.

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Choosing a Keyboard Instrument for Your Young Child, Part 2

Electronic keyboards can be a good choice for young children because the keys are easier for little fingers to push down.  And of course, all kids are fascinated by all the different sounds that keyboards offer.

There are tons of different features that you can choose from: the number of keys, the built-in lessons, preloaded songs, lighted keys, etc.  The price can range from less than $100 to several thousand dollars.

Parents ask for my advice all the time on what to get for their children.  There are three features that I consider to be essential:

  • The keys should be touch-sensitive.  That means that when the keys are played, a lighter touch provides a softer sound and a heavier touch provides a louder sound.  Less expensive keyboards don’t have this feature, which means that the student cannot add those important dynamic ranges to his playing.
  • The keyboard should have at least 61 keys.  Most piano methods explore a wide range of keys from the beginning lessons.  The keys should be full-sized, as well.
  • The keyboard should have a sustain pedal jack so that the student can learn to pedal.

After looking at (and owning) many keyboards, my first choice is the Casio CTK3000.  For $129.00, it has all the features I recommend.  In addition, it has pian0-style keys, a built-in metronome, and tons of sounds and rhythms.

When you purchase a keyboard for your child, go the extra mile and purchase the accessories she will need to be successful.  Don’t expect her to practice at the kitchen table or on her bed.  The keyboard needs to be at an ergonomically-correct height so you will need a stand.  You need an AC adapter so that you are not constantly running out of batteries.  And you need a pedal to go into that sustain jack.

I’m proud to carry the Casio CTK3000, as well as the accessories that are needed.  You can purchase them separately or as a package so that you can be ready to go when your package arrives.  This is a package that will grow with your child until you are ready to look at a digital or acoustic piano.

Wishing you a song in your heart,

Leslie Denning
You Can Make Music!

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Choosing a Keyboard Instrument for Your Young Child, Part 1

You will find a lot of choices when you start to look at keyboards for your child’s lessons.  You can choose from acoustic and digital pianos or electronic keyboards.  They all have different features, and the price-tag can range from really cheap to Wow-I-really-can’t-afford-this!

Many parents want to go with the cheapest option until they see if their children are going to stick with lessons.  Although I understand their reservations, it is worthwhile to spend enough money to get a decent instrument.  Why?

Since music is so ephemeral, I always try to compare it to something else in the world.  If you child wanted to learn to play basketball, would you buy him a beat-up, used basketball that won’t hold air?  If she wanted to learn how to build things, would you buy her a used hammer whose head kept flying off?  No, because you understand that inferior or improper tools only lead to frustration.

This is not to say that you have to go out and buy a concert grand piano.  However, it is in your child’s best interest to purchase a quality instrument that he will enjoy playing.  Getting a dirt-cheap or free piano from the classifieds might seem like a good idea, but if it has broken keys, hammers that don’t work, missing dampers, or won’t hold a tune, it won’t nurture your child’s development and the money you spend on lessons may well be a waste of money.

I have started children in lessons who only had an inexpensive electronic keyboard to play on.  Most of these students have quit their lessons in a very short time.  Because of that, I have made it a requirement that students have a touch-sensitive electronic keyboard, a digital piano, or an acoustic piano.  I’ll talk more about these in individual articles.

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You Can Sing! Lesson 1, The Breathing Mechanism

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You Can Sing! Introduction

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